A COMPARATIVE STUDY OF ENCHANTMENT: UNRAVELLING THE MYSTICAL WORLDS OF WILLIAM BLAKE AND RABINDRANATH TAGORE

Abstract

Enchantment is habitually viewed as an extraterrestrial mission for shrewd or secret information, with connection
with the uncommon space as its ultimate objective. Each individual ought to encounter something astounding
during a mystic contact. In any case, we see that there is a conspicuous closeness between the encounters of
mystics, not simply between those of a similar race or party yet in addition between those of generally friendly
orders and religions. This paper researches the idea and impression of appeal set forward by the western creator
William Blake and the eastern craftsman Rabindranath Tagore. They hoped to have an extraterrestrial inclination
in spite of being brought into the planet for various reasons. Despite the fact that William Blake's canvases
frequently utilize Scriptural imagery, their tone and extension are disastrously prophetic. Tagore gives a structure
to Indian supernatural idea in which the introspective philosophy of the Vedas, the Upanishads, the enchantment
of the Bauls, and the scholarly goals of Vaishnavism and Sufism coincide as one with the faith in a more powerful
found in the Bhagavad Gita. A top to bottom examination of their works uncovers that in spite of their numerous
distinctions, Blake and Tagore share a comparative tasteful vision that is made conceivable by putting prevailing
burdens and nationalistic assumptions aside to zero in on their hopeful craftsmanship, imagination, and oeuvre.
Their smooth works habitually manage extraordinary quality and philosophical reflection. Their techniques for
doing as such, in any case, are extremely shifted, and their symbolism vacillates also. By the by, their poems share
a typical topic, which is enchantment.